4:5 · staticWinner
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Hook rate52.9%
Objection · price
Creative shipped daily into
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What we make
One studio for every asset the media plan needs
Six services, one workflow. Everything starts from a written angle and ends in a folder your buyer can upload from directly.
Static ad design
Concept-led statics built around a written hook, then cut natively into every placement your account runs — 1:1, 4:5, 9:16 and 16:9.
- Variant sets per hook
- Native placement crops
- Editable Figma source
Reels & short-form
Six to twenty second cuts with hook frames, burned-in captions and sound design that survives a muted autoplay.
- Hook frame testing
- Captions burned in
- Safe-margin aware
UGC assembly
Send the raw creator footage. We cut, caption, grade and turn a single shoot into a dozen genuinely different variants.
- One shoot, twelve variants
- Creator brief templates
- Colour + audio pass
Angle & hook strategy
Offer teardown, objection mapping and a competitor ad-library sweep, delivered as a written angle sheet you approve before design starts.
- Objection mapping
- Competitor sweep
- Signed-off before design
Motion & animation
Kinetic type, product loops and interface demos for accounts that need movement without a full production shoot.
- Kinetic type
- Product loops
- UI demo animation
Creative reporting
A one-page readout each cycle: what ran, hook and hold rates, what won, and the next angle sheet that comes out of it.
- Hook & hold rate
- Winner teardown
- Next batch plan
How it runs
Four steps, on repeat, every cycle
The order matters here — each step depends on the one before it. Nothing gets designed against an idea you haven't signed off.
01Creative audit
45 minutes · freeWe go inside your ad account and read spend distribution, hook rates, frequency and everything that has already died. You leave with an honest map of where the creative is leaking — whether or not you hire us.
02Angle sheet
Day 1–2A written batch plan covering the offers, audiences, objections and hooks we intend to test, and why each earns a slot. You approve the thinking in a doc before a single frame gets designed.
03Build & ship
Day 3–5The full batch, cut into every placement, named for your reporting, delivered in a folder your buyer can upload from directly. Revisions come back inside 48 hours.
04Read & repeat
Day 12–14We sit with your buyer and the numbers. Winners get rebuilt into new variants, losers get cut with a reason attached, and the next angle sheet is written from what the account just told us.
Selected work
Two accounts, two very different problems
Full case studies — including the ads that lost — are walked through live on the audit call.
Supplements brand
DTC · United Arab Emirates
Challenge
Two hero statics carried 80% of spend. Frequency sat above 4, cost per purchase had climbed for six straight weeks, and the in-house designer was three launches behind.
What we did
We rebuilt the account's creative around five customer objections instead of five product features, then shipped 18 statics and 6 reels across two batches in eleven days.
- 24
- Assets in 11 days
- 2.1×
- Hook rate on winner
- −31%
- Cost per purchase
B2B SaaS platform
Software · United States
Challenge
Ads that looked exactly like the product website: clean, blue, gradient, invisible in feed. Demo requests were flat despite a growing budget and a strong offer.
What we did
Three deliberately unpolished formats — annotated screenshots, an old-workflow comparison, and a founder-to-camera reel — tested head to head against the existing brand set.
- 4
- New winning angles
- 3.4×
- Thumb-stop vs control
- −24%
- Cost per demo
The alternatives
Four ways to get ads made. Here's where each one lands
All four are legitimate — they're just good at different things. This is the honest version, not the one where we win every row.
| Winning Ads | In-house designer | Freelance marketplace | Agency | |
|---|---|---|---|---|
| New concepts per month | 12–20 | 3–6 | Unpredictable | 4–8 |
| Time to first live batch | 5 working days | 2–3 weeks | 1–2 weeks | 3–4 weeks |
| Written angle sheet first | Always | Sometimes | Rarely | Billed as strategy |
| Every placement cut | Included | Included | Usually extra | Included |
| Reads results with your buyer | Every cycle | No | No | Monthly deck |
| You keep the source files | Always | Always | Case by case | Often not |
What clients say
The feedback we get most is about the thinking
First batch beat our control on hook rate in four days. What actually changed things was the angle sheet — we finally knew what we were testing and why.
We buy the media for eleven clients. Winning Ads is the reason we stopped hiring designers we couldn't keep busy every week.
They told us two of our best-performing ads were about to die and showed us the frequency curve. No agency had ever led with bad news before.
Pricing
Priced by output, not by hours
No setup fees, no minimum term, no media commission. Cancel with 30 days' notice and keep every file we made.
Sprint
$900per batch
One batch, one angle sheet. The way most brands try us before committing.
- 6 concepts, every placement
- 1 written angle sheet
- 5 working day turnaround
- Editable source files
- One round of revisions
Most picked
Studio
$2,400per month
A standing creative department for a single account running real budget.
- 12–20 assets every month
- Statics, reels and UGC cuts
- Weekly drops, 48h revisions
- Monthly creative readout
- Shared Slack channel
- Priority on launches
White label
Customper agency
Creative capacity behind your agency's name, across multiple client accounts.
- Multi-account throughput
- Your branding on deliverables
- Dedicated strategist
- Volume rates from account three
- We stay off client calls
Prices in USD. Volume rates available for agencies running three or more accounts.
Questions
The ones that come up on every call
If something isn't answered here, email us — we reply the same working day.
No, deliberately. We design the creative and hand it to whoever buys — your team, your agency, or a partner we can introduce you to. Keeping our hands off the budget means our only job is making assets that win, and there is no incentive to blame the other half of the equation.